Ian Hamilton Finlay, interior of “4 Sails” (1966) (image courtesy of the Estate of Ian Hamilton Finlay) Tug, fug, chug, glug — such are the rhyming words used by the writer and artist Ian Hamilton ...
Each Thursday, The Arty Semite features excerpts and reviews of the best contemporary Jewish poetry. This week, Jake Marmer introduces four concrete poems by Hank Lazer. If you’ve been to an ...
Los Angeles Letter, a 1968 painting by Michael Morris, encourages you to move back and forth in front of it, catching furtive glimpses of yourself. Rendered in narrow vertical stripes of blue paint, ...
Mary Ellen Solt, a poet and poetry critic who often arranged words on the page in a visual graphic, resulting in such works as “Forsythia,” a poem that looks like a flowering shrub, has died. She was ...
Ian Hamilton Finlay, “You/Me,” lithograph from The Blue and the Brown Poems (New York: Atlantic Richfield Company & Jargon Press, 1968) Concrete Poetry: Words and Sounds in Graphic Space at the Getty ...
What’s black and white and read all over? The answer is artist, poet, and agitator Robert Montgomery’s monumental new installation called Hammersmith Poem. Unveiled this week at Hammersmith Town Hall, ...
In a few years’ time, stanzas of poetry will dot the town of Middlebury like X’s marking hidden gems on a treasure map. By the end of next year alone, five original poems will be engraved into the ...
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